Wednesday, 23 July 2014

The beauty of BLEACH!

 'On My Knees' was the working title for a piece of contemplative art work, before I even knew how the piece would be constructed & what it would look like!  Initially it was the working title for another Prayer Mat, but then that title wasnt working for that particular piece, so the title  remained in contemplative limbo...

...until my son came to visit.  With him was his latest pair of discarded jeans.  This time they were being relocated to my 'defunct-family-jeans' pile due to the bleach stains damaging the legs. ( His rental property had been in need of SERIOUS cleaning. ) It was the first pair of cast off jeans I'd had from him since he'd left home, which brought to mind his first ever pair of baby jeans, which I have kept.  Both are shown above, side by side.

The bleach spots interested me in the dramatic way they affected the fabric. Hmmmmm...

It was time to do some playing!  I'm not a big user of bleach in the home, myself. The impact on the waterways & the fumes keeps my useage to a minimum, so 'playing' with bleach required a bit of forethought & preparation! I played on a day when I could have ALL the external doors open, so LOTS of fresh air.  I spent considerable time working out my experiments; folded & held with bulldog clips, scrunched & held with rubber bands, stamps, stencils & simple painting.  There was a big bucket of water at the ready, for stopping the process & multiple rinses.

The results were impressive! I was very excited about using them, but how? Would I use all, or just....some? My thoughts had considered making an 'On My Knees' kneeling cushion, a tool used in some Christian traditions.  Whilst I liked that idea, no other brainwaves came as to how.  Therefore, I decided to stop complicating things, and have a go at making another Prayer Mat.  This time...different!

I had been reading up on Tartan & the history of it.  Naturally, this led me to thinking about the clans, & some of the traumatic stories in their history, namely the massacre of Glencoe.  This led me to thinking about tribes & tribal disputes, which in turn led me to thinking about Tribal rugs! The road to inspiraion is a circuitous one! I did a bit of study looking at various Moroccan Berber rugs, enjoying their stripes & geometric patterns, keeping in mind also, the tartan & use of line there.

Time was moving on & I had a deadline....an exhibition opening date looming ahead! I created a design & started mechanically setting about constructing the pieces for it.

But I really wasnt happy with my decision.  After many scratchings on scraps of paper, I finally came up with an idea that sang for me!  Finally my head & heart were on the same page!  Fortuitously, on this scrap of paper the print from the logo on the other side had soaked through.  I saw this as a sign as to where my  worn knees would go!

I had been stitching them to a background over several months, using kantha stitch.  Such a slow & medatitive process allows one the luxury of thought!  I got to thinking about the fact that bleach removes stains. And in human terms, any number of wrong decisions 'stain' our character, which led me to consider the lyrics  'on my knees, begging you please, please forgive me'. (I have no idea WHAT song has those lyrics , they just sang away in my head during this thought process!!!) In turn, I thought about forgiveness, a concept encouraged in the monotheistic religions.  This led me to think of blame & accusation & lack of being responsible for our own participation in the escalation of conflict! There is such a LOT of conflict in our world today & it deeply grieves me.

As you can gather....lots of pretty heavy thinking going on here!!!!!

The stains of wrong decisions led me to do more playing!  I wanted to stain wool, cotton & silk threads with substances commonly consumed in our household.  The most effective ones proved to be red wine (no complaints there!), coffee & curry powder!

My idea was to stitch the stained threads onto the bleached marks of the denim. I photocopied a few samples & played with stitching options.

It was all coming together, both physically & mentally! Unlike my other work, this piece did not have a drawn 'map' , nor was I using contemporary reverse applique.  It was a very vulnerable experience to be producing something so different from my usual work & I LOVED it!

I used other parts of denim jeans, skirts & a dress to frame & join all the patches of bleached & stitched work.

I liked the look of a chunky fringe, it reminded me of Tibetan prayer flags & it was also an opportunity to show more of the bleach resist denim. Onto one I embroidered 'forgiveness is the key'.  The key to peace, harmony, hope...a chance at those things anyway! The word 'key' was important because I had used a 'keyhole' shape in the mid section of the prayer mat. On traditional Prayer Mats, this area is often decorated with a Mihrab shape.  A Mihrab being a niche in a Mosque that points the worshipper in the direction of Mecca.


As it happened, I actually had some keys to embellish this Prayer Mat with!  Some years ago, I had unearthed a ring full of keys, whilst digging in the garden.  They must have been dropped by a workman years earlier & there was no way we could ascertain where & from whom they had come.  So they stayed with all of our other keys for a long time, & then they found their way to my stash of useful possibilities!

 'On My Knees Tribal Prayer Mat'  has been an intense piece to work on & is embedded with a lot of personal attachment. I am SO pleased with it & hope that it continues to bring some sense of peace wherever it goes in this troubled world!!


* Please respect that the images above are my own & are not to be copied without permission.  Thank you.










Monday, 21 July 2014

Enrobed.

A number of things have occurred to me as I have been hanging out washing.  Each garment represents a day full of experiences & interactions...each has it's own story. Each garment is like a diary page leaf!  When each of these 'leaves' is hung on a line it can look like foliage wrapped around the trunk of a tree. They protect & insulate the trunk. They are like a robe....a protective cloak.



When I think of a cloak, I think of the feather cloaks made by the Maori people of my homeland, New Zealand.  An idea was brewing....I wanted to make a cloak of leaves....which are like feathers in some respects...therefore the place to do some research was in 'Whatu Kakahu/ Maori Cloaks', a treasure of a book edited by Awhina Tamarapa, which I am fortunate to have in my bookcase!!

In the days before white settlement in New Zealand, the Maori women would source their materials for making cloaks from the area around which they lived.  With this in mind, my first thought was to gather leaves from around our home & have a go at eco-printing with them.  Alas.............this was such an abysmal failure that I dont think I have even kept the results!


My next thought was to make leaf appliqued patches in autumnal tones. I liked the idea that the patch looked like a page (from a diary) & there was a connection to the leaves. I worked up a few samples &...well....I was uninspired to continue in that direction.  I put more thought into the process of cleansing...the removal of dirt, stains, evidence of whatever has been before....the hope of attaining purity.  When I think of purity, I think of...


....WHITE.  How would it look if I made a cloak of white patches, decorated with white leaves in the SHAPES of those found from around our home?? I'd found my direction!



As I started work on, what felt like, ZILLIONS of white leaf patches in various techniques, I came across the following relevant quotes in my reading;

'White is the harmony of silence'         Kadinsky


'White is energy-impulse, it is question & answers, it is total in its spirit.  White is something you endlessley return to.'     Richard Pousette-Dart


'I view patchwork as a metaphor for life; as individuals, we may feel isolated and alone, but in reality I think we are part of a larger composition that has harmony & meaning. '    Chunghie Lee
 

As I was making the leaf patches, I also spent time giving thought to how I wanted to decorate the collar, hem & side edges of my cloak.  I wanted to choose designs that referred back to the Maori cloaks that had so inspired me.

 Careful planning & lots of machine sewing followed.

Eventually it was time to start putting it all together & working out the best placement for the individual leaf patches. I lost track of how many times they were pinned...unpinned...pinned again elsewhere!

 At last it was finished, and the best way to see all the different leaves was in front of a window, or outside, as it is here, with the light & the trees behind it. The leaf patches are made from various white fabrics, including undergarments, shirts, lace table cloth, vintage linen, net curtaining and even the silk cloth used in a Hammam in Istanbul!!!! It is layered with memories & hours & hours of hand work.  I had planned to photograph my beautiful daughter wearing it as a cloak, but alas....the weather between the time of completion & that of hanging it in the exhibition has been very cold & predominantly wet!

Originally I had planned to have it displayed on a mannequin, but to have it open & hung on a wall like a hanging, allows the viewer to really SEE each leaf. It shows up so well on Gallery M's purple wall! I had thought to entitle it 'Enrobed in Silence', but decided to keep it simple, so it is 'Enrobed'!


*Please respect my ownership of the images above & do not copy without permission. Thank you.









The Eyes of Protection.


When I think of protection, I cannot help but think of the protective 'eye' amulets available for sale all over Istanbul, Turkey! Available in all sizes, made from any number of products & able to be purchased at a price tag to suit any wallet!

These  eyes are not just for the tourists though....the need to protect themselves from the evil eye is a very real custom for many peoples of the Middle East & Mediterranean.

They paint it on their houses....

....they buy fancy ones to hang upon upmarket hotels...

...they have modern glass ones above their shop fronts...

....and they even have protective eyes printed onto shopping bags!

Is it any wonder that I wanted to incorporate this well known & well used symbol in a piece of work about protection!!!  Because of the connection with Turkey, I thought that I would double the protective powers & construct the piece in the form inspired by the diamond shaped hangings hung in the tents of various nomadic peoples of Turkey.  Usually coloured these hangings are joined at the corners & sometimes adorned with beads.
  
 I decided that each of my diamond (square) patches would also be a blue eye of protection.


I then contemplated stitching symbols of protection into the back of  diamonds, but decided that that was getting a bit far away from cleaning & the home.  I needed something to bring it back to family life.

The answer came in the form of windows!  I have used the shapes & patterns formed by reflections in windows as a design source before.  Here was another opportunity to use it effectively & with meaning!! Windows are often referred to as the 'eyes' of a home.  They protect us from the elements outside, whilst still allowing us to see & be aware of what's going on out there! Further more, on a fine clear day, windows reflect the sky above, making them appear...BLUE!

It took me many months to get all the diamond eyes made & then...

...back them with the windows.  Whilst constructing the piece I contemplated whether or not to embroider the words "Eye Will Protect' into the sleeve from which the diamonds hung.  Adopting a 'less is more' approach I refrained, preferring instead to let the work speak for itself.

The majority of these pieces were made during a regular Monday morning Craft group that I have been a part of since our children were still in nappies!  This group of women have often been more interested in the consumption of coffee than in practising a craft, but regardless, the aspect we each value the most is the sharing of our lives.  We have had many laughs & a few tears & in the process have helped each other through some 'interesting' times.  It is groups like this that epitomise the concept of 'support' & in doing so, we protect each other from despair .  I felt that being with these wonderful women, added another dimension of protection to "Eye Will Protect You".

*Please respect that the images above are my own & not to be copied without permission.  Thank you.









Sunday, 20 July 2014

Beauty from the LAUNDRY

 It was time to contemplate the LAUNDRY!  Yet another room where white tiles prevail!! This time I wanted to look less at the marks, and think deeper about  WHY we clean & what does it all mean!!!!

 Time for another mindmap, where I tried to stretch my thinking.

I came to the conclusion that for this body of work I wanted to focus on protection & hope.  We wear clothes to protect our body from the elements & to modestly protect our privacy from prying eyes! We launder our clothes & our family's clothes in the hopes that we will remove the dirt & stains, & in doing so maintain those garments to protect us effectively for longer.  It is in the process of doing the laundry that we discover tears that need mending, stains that need removing & garments that need replacing!  A load of laundry is a history of events experienced over a recent period of time.

With this body of work I wanted to include pieces of fabric that I had laundered....that had been garments worn, or used in household furnishings, as well as those used in my art practise.



Friday, 18 July 2014

Fancy a cuppa anyone????????

 We are a family of tea drinkers!  We do drink other beverages, but tea....is what we most like to imbibe!

 When my husband & I were first married we had approximately 20 different kinds of leaf tea gracing the top of our fridge!  We now have 3 & a cannister of tea bags for friends & family who cannot tolerate the brewing of decent tea!!!!!!!!! (I confees to tea snobbery & bias!)


 When the idea for a tea-dyed body of work started brewing, I grabbed all the out-of-date & seldom drunk teas & started saving used tea bags!  My dye stock was supplemented with cheap tea bags, which proved to be rather rich in colour!!!

I started making samples & experimenting.

At the same time I took particular interest in how the stains at the bottom of my tea cup looked! To me they were beautiful!I wanted to produce a piece of work that highlighted the simple beauty of these stained circles. Out came the camera again!

 The circle is a powerful symbol, it represents the unity between heaven & earth, harmony, time, the cycle of the planets....the cycle of the moon. When I think of cycles, I naturally think of a woman's menstruation cycle & the way our day to day life is affected by which part of that cycle we are in! In our western culture, tea drinking has become a ritual of calming down, of taking the sting out of a situation, it is an antedote to stress. It has become a ritual with in the cycle of each day.

Once again, I started recording...this time  teastains.

From photos, I drew a tonal sketch of what I'd captured on film. Identifying the lines between one shade & another.

These became maps!

I worked up a sample in tea-dyed cotton, but felt that it was too dull & lacked OOMPH!

Silk dyed more vibrantly, so I kept the cotton back.  At this stage I was planning to make a large wall hanging of 28 pieces, seperated by tea dyed panels. I tried this out on my pinboard with the pieces I had produced, and wasnt happy!  The panels detracted from & competed with the circles.
 I then asked the question...what if I had them completely seperate pieces? Perhaps they could each be framed in white & hung in rows of 7.

Framing is a bit of an interesting subject with textile artists!  Aside from the cost, there is always the risk that a potential purchaser may not like your choice in frame!  There is also the question of glass...or no glass!  Glass in frames protects the piece, but it also seperates the viewer from the intimacy of the work. There are a few cheap framing options available on the market now, and for some that cheap price reflects their quality. Galleries are starting to take note & refuse to hang work framed in cheap frames. In the end, I settled on an old favourite....I would attach them to white table cloth damask & then staple them to small canvas frames!  They would look uniform, simple, tranquil & beautiful. AND...any potential purchasers could then take them to a framer if they so wished!!

Destination all sorted out....I continued making pieces & intuitively embellishing them with embroidery & beads.

At last all my cycles were complete.  It was time to place them in their 'Cycle Of Tranquilitea' order & write something to accompany them in the exhibition.


                          Tides, cycles...
                              the changing from man to beast
                           all linked
                              to the tranquil moon.

                          However emotional
                                          physical
                                          hormonal
                              the rollercoaster be
                           There is always
                                                 thankfully
                                         a cup of tea!




*Please respect that the images & words above are my own & not to be copied without permission. Thank you.